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Veranda published a roundup of 15 small entryways, featuring projects by designers including Richard Hallberg, Cathy Kincaid and Jonathan Adler. The examples use wallpaper, paint, art, patterned floors and selected furnishings to give compact entrances a distinct look; the report does not provide measurements or cost comparisons.
Veranda has published a roundup of 15 small entryways, showing how designers used wallpaper, paint, art and carefully chosen furnishings to establish a home’s style in a limited space. The examples span apartments, historic houses and vacation properties, offering readers visual approaches rather than a single prescribed formula.
The projects include both restrained and highly decorative treatments. In a 1930 Nashville home, designer Richard Hallberg paired Japanese rice-paper wallcovering with an ornate 18th-century Italian console and a simple gesso-and-wood target. In a Dallas penthouse, Cathy Kincaid used vivid 19th-century chinoiserie panels and green lacquered walls against formal French limestone floors.
Several designs make a small entrance memorable through pattern. Nick Olsen used a royal-blue leather-clad door and geometric flooring in a narrow Park Avenue hall, adding faux wall paneling made with marbleized paper and fine painted lines. In a San Francisco Craftsman home, Marea Clark put striped wallpaper on the entry ceiling, which she said adds “a bit of whimsy.”
Other entries rely on color or a focal point rather than a large furniture arrangement. A Martha’s Vineyard foyer by Markham Roberts combines citrine, teal and blue. A prewar Manhattan apartment designed by Chiqui Woolworth opens with an ebony diamond-patterned floor, yellow tortoiseshell walls and a silver ceiling. Veranda’s selection also includes a Palm Beach cabana with a hand-painted mural of local flora and fauna, and an Illinois Colonial with brown ikat wallpaper and a skirted center table.
Design Ideas for Limited Foyers
The roundup makes a practical design point: a small entrance can communicate a home’s character without relying on a large footprint. Color, pattern, lighting and one focal object can give a compact area a clear identity, while a well-placed console or table may add a surface for everyday use. The featured schemes also show that visual impact does not require every element to compete; some pair a bold wall treatment with traditional architecture or a single contrasting piece.
For readers planning a refresh, the examples offer options at different levels of commitment. A ceiling treatment, framed artwork or a carefully selected table may be easier to change than wallcovering or lacquer. The article does not compare budgets, maintenance demands or durability, so its designs are inspiration, not a cost or performance guide.
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From Historic Homes to Apartments
Veranda’s examples draw from a range of settings, including a late-17th- and early-18th-century Wiltshire manor, a 1906 San Francisco Craftsman, a coastal Maine Colonial Revival and Manhattan apartments. The variety helps show how an entry treatment can respond to a building’s architecture rather than follow one style. Traditional details and contemporary color appear together in several projects.
Some spaces also introduce the rooms beyond them. At a Lake Michigan inn designed by Summer Thornton, pattern in the entry hints at the energetic palette elsewhere in the property. Jonathan Adler described a foyer as “the intro to a good essay” in connection with his work at Grey Gardens, the East Hampton estate restored with fashion entrepreneur Liz Lange. The roundup includes that design alongside quieter approaches, such as the Japanese-inspired wallcovering in Hallberg’s Nashville project.
““A bit of whimsy.””
— Marea Clark, designer
What the Roundup Does Not Measure
The supplied report lists 15 designs but does not give project budgets, dimensions or renovation timelines. It also does not compare how the materials hold up to daily use, or explain which ideas suit particular lighting conditions, household needs or rental restrictions. Readers would need to assess those factors for their own space and consult the designers or suppliers for project-specific details.
The roundup is a selection of photographed interiors, not a survey of entryway design or evidence that one treatment works best. Its examples illustrate possible approaches; they do not establish that all will fit every small foyer.
Applying the Ideas at Home
Readers considering a change can begin by identifying what the entry needs to do—provide storage, create a place to sit, or simply mark the transition into the home—and then choose a focal point that fits the available area. The projects suggest options including patterned wallpaper, a painted ceiling, a distinctive floor or one piece of art. Before committing to permanent finishes, homeowners can check measurements, lighting and maintenance needs; renters may need permission before altering walls or floors.
Veranda’s article does not announce a follow-up project or a future design milestone. Further practical details, including product sources and installation requirements, would depend on the individual project and the materials selected.
Key Questions
What is the main idea in Veranda’s entryway roundup?
The roundup presents 15 compact entryways that use details such as wallpaper, paint, art, patterned flooring and furnishings to set a home’s tone.
Which design features appear in the examples?
Examples include Japanese rice-paper wallcovering, chinoiserie panels, lacquered walls, geometric flooring, a striped ceiling, hand-painted murals and colorful entry furniture.
Does the report include costs or room measurements?
No. The supplied material describes the projects but does not provide budgets, dimensions or installation costs.
Are the designs all intended for the same kind of home?
No. The selection includes apartments, historic houses, an inn, a summer home and a Palm Beach cabana, with styles ranging from restrained to highly patterned.
Source: veranda.com
