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A Veranda house tour profiles a 1930s neo-Georgian estate in Greenwich, Connecticut, decorated by Ashley Whittaker for a family with five sons. The project pairs historic details with playful color and pattern, while updates by architect George Knight make the house work better for everyday family life and entertaining.
Veranda has profiled designer Ashley Whittaker’s work at a 1930s neo-Georgian estate in Greenwich, Connecticut, where vivid color, patterned rooms and a family-focused renovation soften the formality of the historic house. The tour shows how the home’s owners and architect George Knight have adapted the property for a household with five active sons while retaining its period character.
Whittaker told Veranda that the game room is among her favorite spaces. It combines a wool-covered banquette, brass drinks tables and an antique Russian cabinet holding dominoes, cards and board games. The room’s striped walls use a pairing of two 18th-century Indo-Persian borders from Pierre Frey, bringing a less predictable pattern to a traditional setting.
The 30-foot living room has two seating areas anchored by matching velvet sofas, with chairs and upholstery in botanical, ikat and chevron patterns. A landscape photograph by Carol Greenan Bouyoucos adds a modern element, while creamy Venetian plaster walls temper the mix. In the dining room, glossy peacock-blue paneling and white chevron floor bands draw on a room by designer Albert Hadley that Whittaker and her client had admired.
The owners bought the property about five years ago after deciding to leave New York City for more space. The roughly six-acre estate includes a pool, pool house and two detached garages, one with a guest apartment. Knight, whose New Haven firm has experience renovating older Connecticut homes, had previously overseen an update to the same residence.
A Historic House Adapted for Family Life
The project offers a specific example of how a historic home can retain its formal architecture while serving contemporary routines. Knight updated the kitchen so it could function as a social space, rather than remain a service area, and reconfigured a back stair so the children could reach it easily from their bedrooms. He and Whittaker also widened the opening between the kitchen and family room to improve the connection between the spaces.
Whittaker’s furnishings respond to the scale of the house as well as its varied uses. She said the living room should work for large gatherings and quiet family evenings, not just formal entertaining. The contrast between traditional millwork and contemporary art, bright finishes and relaxed seating shows the design decisions behind that balance; it does not establish how the home performs for its owners beyond the descriptions reported in the tour.
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From Georgian Form to Open Family Spaces
The residence accumulated additions over time, including new wings in the 1990s. Whittaker described its layout as “rambling,” but charming. The home’s earlier organization separated service areas from rooms used for living and entertaining, a layout Knight sought to change while preserving the building’s historical character.
The interiors also reflect the family’s art collection and personal connections. The library includes works by Robert Motherwell and Peter Beard, while a painting by Melinda Hackett—described in the report as a friend of the homeowners—hangs in the dining room. In the primary bedroom, a photograph by Susanna Howe is layered over a hollyhock-pattern wall covering.
The Veranda report also describes seasonal decorations, including wreaths with red bows, magnolia garland on the stair hall banister and a tree beneath the double-height ceiling. Whittaker called it a cozy Christmas house, noting its three fireplaces. These details are part of the magazine’s account of the residence, not a separate announcement about a sale or public opening.
““There’s a playfulness to the space. It doesn’t take itself too seriously, but at the same time, feels elegant.””
— Ashley Whittaker, interior designer, speaking to Veranda
The Renovation Is Still Underway
Whittaker told Veranda that her work at the residence is ongoing. The report says she and Knight are creating a new “ba” before the supplied source text cuts off, so it does not identify the planned space or provide a completion schedule. The article also does not give a budget, a full renovation timeline or detailed information about the home’s construction history.
The material is a design tour, not an independent inspection of the property. Descriptions of the family’s experience and the project’s aims are attributed to the designer, architect or magazine; the report does not provide measurements beyond those stated or assess the renovation’s cost or effect on the home’s value.
Further Work at the Greenwich Home
The immediate next development is the continuation of Whittaker and Knight’s work at the house. Veranda’s supplied report ends mid-sentence while introducing a new project, and does not specify what they are creating or when it will be finished. No public event, sale or other milestone is announced in the source material.
Readers seeking a fuller account of the next phase would need an update from the designer, architect or magazine. Until then, the confirmed details are the completed rooms and changes described in the tour, alongside the report’s statement that the design work remains underway.
Key Questions
Where is the estate?
It is a 1930s neo-Georgian residence in Greenwich, Connecticut, on a property of about six acres, according to Veranda.
Who designed the interiors?
Ashley Whittaker decorated the residence for its owners. Architect George Knight worked on renovations intended to preserve the house’s character while improving its layout for family life.
What is distinctive about the game room?
The room pairs a wool-clad banquette and brass drinks tables with an antique cabinet stocked with dominoes, cards and board games. Its striped walls use two 18th-century Indo-Persian borders, according to the report.
Is the project finished?
No. Whittaker told Veranda that her work at the home is ongoing. The supplied report cuts off as it begins to describe a new project, so its details and completion date are not available.
Source: veranda.com
